Hic-cup Pup (1954)

 

Hic-cup Pup marks the 4th Tom and Jerry film to feature the father/son dog duo, Spike and Tyke in major roles. Though the duo did also have a cameo in Life with Tom (1953) and of course Spike made many appearances without Tyke. The duo would be featured in three more Tom and Jerry theatrical cartoon shorts and star in two theatrical cartoon shorts without Tom and Jerry. 

 In this short film Tom and Jerry's fighting wakes Tyke up. When Tyke wakes up, he gets the hiccups. Spike gets angry and threatens Tom. Jerry of course overhears this and decides to disturb Tyke's rest and frame Tom. 

While this may not be Tom and Jerry's best film, it is a very solid and fun cartoon. The storyline is very familiar and makes it hard for this film to stand out among the other Spike and Tyke cartoons. However, when it comes to this, it is important to remember that these cartoons were made to be shown in movie theaters alongside the feature film. Unlike today when these cartoons are mostly shown on TV, movie goers had not seen these shorts dozens of times and may have not even seen the previous Spike and Tyke shorts at all. So, the repetitiveness would not have been as obvious to the intended audience (anyone who went to the movies) as it is to us today. For us today though there are enough strong gags to make up for the familiarity. While being a 50's Tom and Jerry short, there is not the constant brigade of great gags seen in the 40's cartoons, there a few really funny moments here. I love when Spike gets the hiccups too and his hiccups make it sound like words are being censored, the gag with the trumpet and Tom covering Tyke's mouth before he hiccups and the hiccup then coming out of Tom's mouth. This cartoon also benefits from the usual strong character animation and Scott Bradley's great musical score. Best of all though is that this short has a very satisfying ending. 

The credited animators on this film are Ed Barge, Kenneth Muse, Ray Patterson and Irven Spence. Robert Gentle is the credited background artist. This is the 82nd Tom and Jerry short overall. This cartoon can be found on the DVD set, Tom and Jerry Spotlight Vol. 3.      

Posse Cat (1954)

 

Tom's original owner (known to fans as Mammy Two Shoes) made her last appearance in Push-Button Kitty (1952) and his later owners George and Jones would not appear until Pet Peeve (1954). With this film coming in-between, his owner would be a cowboy that we have never seen before and would never see again. 

In this short film, Tom's cowboy owner tells him that he won't get any food until he gets rid of Jerry. Naturally Tom does not have much luck getting rid of Jerry. 

This is a fine short and one that has stayed in my memory since I saw it as a little kid. However, it doesn't quite reach the level of the best Tom and Jerry cartoons. The main problem here is there are no real laugh out loud moments. There are gags that made me chuckle and smile, but I never really laughed the way I do watching the best Tom and Jerry films. The closet I came was with the water drinking gag. However, the storyline is simple and charming. The animation is great, and farm setting allows for some great background art.

As always Scott Bradley's musical score is wonderful. I especially love his use of the song, Making Love Mountain Style throughout the film. This song was written by Herb Moulton and Jack Scholl. Scholl had written such songs as Throw Another Log on the Fire, The Wish That I Wish Tonight, The Old Apple Tree, You, You Darling and My Little Buckaroo. It was a major hit for Dorothy Shay in 1947.  You can listen to her version of the song below. 



The song would later be performed by The Dining Sisters in the short film, Musical Merry-Go-Round #1 (1948). They would later release this song on its own. That version can be heard below. 




The credited animators on this cartoon are Irven Spence, Ed Barge, Kenneth Muse and Ray Patterson. Robert Gentle is the credited background artist. Some fans have compared this short to Texas Tom (1950). Not only do these two films have similar settings but there are even some similar gags involving a bull that has a nearly identical design to the one in Texas Tom.

Puppy Tale (1954)

 

This short film was the first Tom and Jerry cartoon of 1954 and the 80th Tom and Jerry short overall. 

In this short film, Jerry overhears a loud noise outside and rushes out to see what it is. He then discovers a sack in the river with something alive in it. He pulls the sack out and discovers a group of puppies inside. One of the puppies takes a liking to Jerry and follows him home. Unfortunately for Tom, when the puppy gets to Jerry and his home, it tries to drink Tom's milk and take up Tom's bed. 

Though Tom and Jerry cartoons are best known for their slapstick violence, there are a surprising amount of Tom and Jerry shorts with a real sentimental streak. Though there were some of these more sentimental films in the 40's, it was in the 50's when these shorts were at their most prevalent. Puppy Tale remains one of the strongest of these sentimental cartoons. The storyline is basic but incredibly charming. It manages to be sweet and cute without ever feeling cloying. Unlike in some of the weaker cute cartoons, the sweetness just seems to flow naturally from the story. Tom and Jerry are both at their most likable here and the puppies are very cute. That this is a short completely without dialogue just adds to the charm. The ending is especially charming and heartwarming. Yet even with this, there is some good slapstick worked in here. I love the bits with Tom trying to get his milk away from the puppy. This may be a familiar gag but William Hanna's timing on it is perfect. The short also benefits from some wonderful background art on the outdoor scenes. These give the film a very effectively atmospheric feel. 

The credited animators on this short are Ed Barge, Irven Spence and Kenneth Muse. The credited background artist is Robert Gentle. The film is available on the DVD set, Tom and Jerry Spotlight Collection Vol. 3. 

Life With Tom (1953)

 

This short film marks the third Tom and Jerry cheater cartoon (a short that uses clips from previous cartoons). Clips are used from Cat Fishin' (1947), Kitty Foiled (1948) and The Little Orphan (1948). There would be only one more cheater cartoon directed by William Hanna and Joseph Barbera after this, Smarty Cat (1955). After that there wouldn't be another cheater until the Chuck Jones produced, Matinee Mouse (1966).

In this short film, Jerry writes a book called Life With Tom, which tells the stories of all the times he has gotten the better of Tom. When Tom reads this book he gets very angry. This anger only increases when he hears various of his friends and foes laughing themselves silly while reading it. 

This is by far the best cheater Tom and Jerry cartoon. While it does have some of the flaws that are evident in all cheater cartoons, it is still a lot of fun. The clips used here are fantastic. Unlike Smitten Kitten (1952), this film uses the best clips for those cartoons. Frankly they are just as funny here as they were in the context of their original film. The new scenes are also excellent. The wraparound story is really clever and charming. The ending is particular is a wonderful little twist. The character animation on Tom as he gets more and more angry is also wonderful. The wraparound story may be similar to the first Tom and Jerry cheater, Jerry's Diary (1949). However, I feel that this is an even stronger short. This is due to clips that stand on their own quite well and the use of supporting characters. For a cheater, this cartoon is more fun than it should be. 

The credited animators on this short include Kenneth Muse, Irven Spence and Ed Barge. It marks the 79th Tom and Jerry short overall. There is a blackface gag in the clip from The Little Orphan. This gag has been cut for TV airings, so you won't see it on Boomerang, Me-TV or ME-TV Toons. An unedited version of this short can be seen on the DVD set, 

By the way Jerry needs a better editor as a typo was left in his published book, a misspelling of "wasn't."